MusicXML 2.0 Direction DTD Module
<!--
MusicXML™ direction.mod module
Version 2.0 - 18 June 2007
Copyright © 2004-2007 Recordare LLC.
http://www.recordare.com/
This MusicXML™ work is being provided by the copyright
holder under the MusicXML Document Type Definition
Public License Version 2.0, available from:
http://www.recordare.com/dtds/license.html
-->
<!--
This direction DTD module contains the direction element
and its children. Directions are not note-specific, but
instead are associated with a part or the overall score.
Harmony indications and general print and sound
suggestions are likewise not necessarily attached to
particular note elements, and are included here as well.
-->
<!-- Elements -->
<!--
A direction is a musical indication that is not attached
to a specific note. Two or more may be combined to
indicate starts and stops of wedges, dashes, etc.
By default, a series of direction-type elements and a
series of child elements of a direction-type within a
single direction element follow one another in sequence
visually. For a series of direction-type children, non-
positional formatting attributes are carried over from
the previous element by default.
-->
<!ELEMENT direction (direction-type+, offset?,
%editorial-voice;, staff?, sound?)>
<!ATTLIST direction
%placement;
%directive;
>
<!--
Textual direction types may have more than 1 component
due to multiple fonts. The dynamics element may also be
used in the notations element, and is defined in the
common.mod file.
-->
<!ELEMENT direction-type (rehearsal+ | segno+ | words+ |
coda+ | wedge | dynamics+ | dashes | bracket | pedal |
metronome | octave-shift | harp-pedals | damp |
damp-all | eyeglasses | scordatura | image |
accordion-registration | other-direction)>
<!--
Entities related to print suggestions apply to the
individual direction-type, not to the overall direction.
-->
<!--
Language is Italian ("it") by default. Enclosure is
square by default.
-->
<!ELEMENT rehearsal (#PCDATA)>
<!ATTLIST rehearsal
%print-style;
%text-decoration;
xml:lang NMTOKEN #IMPLIED
%text-direction;
%text-rotation;
enclosure (square | circle | none) #IMPLIED
>
<!--
Left justification is assumed if not specified.
Language is Italian ("it") by default. Enclosure
is none by default.
-->
<!ELEMENT words (#PCDATA)>
<!ATTLIST words
%text-formatting;
>
<!--
Wedge spread is measured in tenths of staff line space.
The type is crescendo for the start of a wedge that is
closed at the left side, and diminuendo for the start
of a wedge that is closed on the right side. Spread
values at the start of a crescendo wedge or end of a
diminuendo wedge are ignored.
-->
<!ELEMENT wedge EMPTY>
<!ATTLIST wedge
type (crescendo | diminuendo | stop) #REQUIRED
number %number-level; #IMPLIED
spread CDATA #IMPLIED
%position;
%color;
>
<!--
Dashes, used for instance with cresc. and dim. marks.
-->
<!ELEMENT dashes EMPTY>
<!ATTLIST dashes
type %start-stop; #REQUIRED
number %number-level; #IMPLIED
%position;
%color;
>
<!--
Brackets are combined with words in a variety of
modern directions. The line-end attribute specifies
if there is a jog up or down (or both), an arrow,
or nothing at the start or end of the bracket. If
the line-end is up or down, the length of the jog
can be specified using the end-length attribute.
The line-type is solid by default.
-->
<!ELEMENT bracket EMPTY>
<!ATTLIST bracket
type %start-stop; #REQUIRED
number %number-level; #IMPLIED
line-end (up | down | both | arrow | none) #REQUIRED
end-length %tenths; #IMPLIED
%line-type;
%position;
%color;
>
<!--
Piano pedal marks. The line attribute is yes if pedal
lines are used, no if Ped and * signs are used. The
change type is used with line set to yes.
-->
<!ELEMENT pedal EMPTY>
<!ATTLIST pedal
type (start | stop | change) #REQUIRED
line %yes-no; #IMPLIED
%print-style;
>
<!--
Metronome marks and other metric relationships.
The beat-unit values are the same as for a type element,
and the beat-unit-dot works like the dot element. The
per-minute element can be a number, or a text description
including numbers. The parentheses attribute indicates
whether or not to put the metronome mark in parentheses;
its value is no if not specified. If a font is specified for
the per-minute element, it overrides the font specified for
the overall metronome element. This allows separate
specification of a music font for beat-unit and a text
font for the numeric value in cases where a single
metronome font is not used.
The metronome-note and metronome-relation elements
allow for the specification of more complicated metric
relationships, such as swing tempo marks where
two eighths are equated to a quarter note / eighth note
triplet. The metronome-type, metronome-beam, and
metronome-dot elements work like the type, beam, and
dot elements. The metronome-tuplet element uses the
same element structure as the time-modification element
along with some attributes from the tuplet element. The
metronome-relation element describes the relationship
symbol that goes between the two sets of metronome-note
elements. The currently allowed value is equals, but this
may expand in future versions. If the element is empty,
the equals value is used. The metronome-relation and
the following set of metronome-note elements are optional
to allow display of an isolated Grundschlagnote.
-->
<!ELEMENT metronome
((beat-unit, beat-unit-dot*,
(per-minute | (beat-unit, beat-unit-dot*))) |
(metronome-note+, (metronome-relation, metronome-note+)?))>
<!ATTLIST metronome
%print-style;
parentheses %yes-no; #IMPLIED
>
<!ELEMENT beat-unit (#PCDATA)>
<!ELEMENT beat-unit-dot EMPTY>
<!ELEMENT per-minute (#PCDATA)>
<!ATTLIST per-minute
%font;
>
<!ELEMENT metronome-note
(metronome-type, metronome-dot*,
metronome-beam*, metronome-tuplet?)>
<!ELEMENT metronome-relation (#PCDATA)>
<!ELEMENT metronome-type (#PCDATA)>
<!ELEMENT metronome-dot EMPTY>
<!ELEMENT metronome-beam (#PCDATA)>
<!ATTLIST metronome-beam
number %beam-level; "1"
>
<!ELEMENT metronome-tuplet
(actual-notes, normal-notes,
(normal-type, normal-dot*)?)>
<!ATTLIST metronome-tuplet
type %start-stop; #REQUIRED
bracket %yes-no; #IMPLIED
show-number (actual | both | none) #IMPLIED
>
<!--
Octave shifts indicate where notes are shifted up or down
from their true pitched values because of printing
difficulty. Thus a treble clef line noted with 8va will
be indicated with an octave-shift down from the pitch
data indicated in the notes. A size of 8 indicates one
octave; a size of 15 indicates two octaves.
-->
<!ELEMENT octave-shift EMPTY>
<!ATTLIST octave-shift
type (up | down | stop) #REQUIRED
number %number-level; #IMPLIED
size CDATA "8"
%print-style;
>
<!--
The harp-pedals element is used to create harp pedal
diagrams. The pedal-step and pedal-alter elements use
the same values as the step and alter elements. For
easiest reading, the pedal-tuning elements should follow
standard harp pedal order, with pedal-step values of
D, C, B, E, F, G, and A.
-->
<!ELEMENT harp-pedals (pedal-tuning)+>
<!ATTLIST harp-pedals
%print-style;
>
<!ELEMENT pedal-tuning (pedal-step, pedal-alter)>
<!ELEMENT pedal-step (#PCDATA)>
<!ELEMENT pedal-alter (#PCDATA)>
<!-- Harp damping marks -->
<!ELEMENT damp EMPTY>
<!ATTLIST damp
%print-style;
>
<!ELEMENT damp-all EMPTY>
<!ATTLIST damp-all
%print-style;
>
<!-- Eyeglasses, common in commercial music. -->
<!ELEMENT eyeglasses EMPTY>
<!ATTLIST eyeglasses
%print-style;
>
<!--
Scordatura string tunings are represented by a series
of accord elements. The tuning-step, tuning-alter,
and tuning-octave elements are also used with the
staff-tuning element, and are defined in the common.mod
file. Strings are numbered from high to low.
-->
<!ELEMENT scordatura (accord+)>
<!ELEMENT accord
(tuning-step, tuning-alter?, tuning-octave)>
<!ATTLIST accord
string CDATA #REQUIRED
>
<!--
The image element is used to include graphical images
in a score. The required source attribute is the URL
for the image file. The required type attribute is the
MIME type for the image file format. Typical choices
include application/postscript, image/gif, image/jpeg,
image/png, and image/tiff.
-->
<!ELEMENT image EMPTY>
<!ATTLIST image
source CDATA #REQUIRED
type CDATA #REQUIRED
%position;
%halign;
%valign-image;
>
<!--
The accordion-registration element is use for accordion
registration symbols. These are circular symbols divided
horizontally into high, middle, and low sections that
correspond to 4', 8', and 16' pipes. Each accordion-high,
accordion-middle, and accordion-low element represents
the presence of one or more dots in the registration
diagram. The accordion-middle element may have text
values of 1, 2, or 3, corresponding to have 1 to 3 dots
in the middle section. An accordion-registration element
needs to have at least one of the child elements present.
-->
<!ELEMENT accordion-registration
(accordion-high?, accordion-middle?, accordion-low?)>
<!ATTLIST accordion-registration
%print-style;
>
<!ELEMENT accordion-high EMPTY>
<!ELEMENT accordion-middle (#PCDATA)>
<!ELEMENT accordion-low EMPTY>
<!--
The other-direction element is used to define any direction
symbols not yet in the current version of the MusicXML
format. This allows extended representation, though without
application interoperability.
-->
<!ELEMENT other-direction (#PCDATA)>
<!ATTLIST other-direction
%print-object;
%print-style;
>
<!--
An offset is represented in terms of divisions, and
indicates where the direction will appear relative to
the current musical location. This affects the visual
appearance of the direction. If the sound attribute is
"yes", then the offset affects playback too. If the sound
attribute is "no", then any sound associated with the
direction takes effect at the current location. The sound
attribute is "no" by default for compatibility with earlier
versions of the MusicXML format. If an element within a
direction includes a default-x attribute, the offset value
will be ignored when determining the appearance of that
element.
-->
<!ELEMENT offset (#PCDATA)>
<!ATTLIST offset
sound %yes-no; #IMPLIED
>
<!-- Harmony -->
<!--
The harmony elements are based on Humdrum's **harm
encoding, extended to support chord symbols in popular
music as well as functional harmony analysis in classical
music.
If there are alternate harmonies possible, this can be
specified using multiple harmony elements differentiated
by type. Explicit harmonies have all note present in the
music; implied have some notes missing but implied;
alternate represents alternate analyses.
The harmony object may be used for analysis or for
chord symbols. The print-object attribute controls
whether or not anything is printed due to the harmony
element. The print-frame attribute controls printing
of a frame or fretboard diagram. The print-style entity
sets the default for the harmony, but individual elements
can override this with their own print-style values.
A harmony element can contain many stacked chords (e.g.
V of II). A sequence of harmony-chord entities is used
for this type of secondary function, where V of II would
be represented by a harmony-chord with a V function
followed by a harmony-chord with a II function.
-->
<!ENTITY % harmony-chord "((root | function), kind,
inversion?, bass?, degree*)">
<!ELEMENT harmony ((%harmony-chord;)+, frame?,
offset?, %editorial;, staff?)>
<!ATTLIST harmony
type (explicit | implied | alternate) #IMPLIED
%print-object;
print-frame %yes-no; #IMPLIED
%print-style;
%placement;
>
<!--
A root is a pitch name like C, D, E, where a function
is an indication like I, II, III. Root is generally
used with pop chord symbols, function with classical
functional harmony. It is an either/or choice to avoid
data inconsistency. Function requires that the key be
specified in the encoding.
The root element has a root-step and optional root-alter
similar to the step and alter elements in a pitch, but
renamed to distinguish the different musical meanings.
The root-step text element indicates how the root should
appear on the page if not using the element contents.
In some chord styles, this will include the root-alter
information as well. In that case, the print-object
attribute of the root-alter element can be set to no.
The root-alter location attribute indicates whether
the alteration should appear to the left or the right
of the root-step; it is right by default.
-->
<!ELEMENT root (root-step, root-alter?)>
<!ELEMENT root-step (#PCDATA)>
<!ATTLIST root-step
text CDATA #IMPLIED
%print-style;
>
<!ELEMENT root-alter (#PCDATA)>
<!ATTLIST root-alter
%print-object;
%print-style;
location %left-right; #IMPLIED
>
<!ELEMENT function (#PCDATA)>
<!ATTLIST function
%print-style;
>
<!--
Kind indicates the type of chord. Degree elements
can then add, subtract, or alter from these
starting points. Values include:
Triads:
major (major third, perfect fifth)
minor (minor third, perfect fifth)
augmented (major third, augmented fifth)
diminished (minor third, diminished fifth)
Sevenths:
dominant (major triad, minor seventh)
major-seventh (major triad, major seventh)
minor-seventh (minor triad, minor seventh)
diminished-seventh
(diminished triad, diminished seventh)
augmented-seventh
(augmented triad, minor seventh)
half-diminished
(diminished triad, minor seventh)
major-minor
(minor triad, major seventh)
Sixths:
major-sixth (major triad, added sixth)
minor-sixth (minor triad, added sixth)
Ninths:
dominant-ninth (dominant-seventh, major ninth)
major-ninth (major-seventh, major ninth)
minor-ninth (minor-seventh, major ninth)
11ths (usually as the basis for alteration):
dominant-11th (dominant-ninth, perfect 11th)
major-11th (major-ninth, perfect 11th)
minor-11th (minor-ninth, perfect 11th)
13ths (usually as the basis for alteration):
dominant-13th (dominant-11th, major 13th)
major-13th (major-11th, major 13th)
minor-13th (minor-11th, major 13th)
Suspended:
suspended-second (major second, perfect fifth)
suspended-fourth (perfect fourth, perfect fifth)
Functional sixths:
Neapolitan
Italian
French
German
Other:
pedal (pedal-point bass)
power (perfect fifth)
Tristan
The "other" kind is used when the harmony is entirely
composed of add elements. The "none" kind is used to
explicitly encode absence of chords or functional
harmony.
The attributes are used to indicate the formatting
of the symbol. Since the kind element is the constant
in all the harmony-chord entities that can make up
a polychord, many formatting attributes are here.
The use-symbols attribute is yes if the kind should be
represented when possible with harmony symbols rather
than letters and numbers. These symbols include:
major: a triangle, like Unicode 25B3
minor: -, like Unicode 002D
augmented: +, like Unicode 002B
diminished: °, like Unicode 00B0
half-diminished: ø, like Unicode 00F8
The text attribute describes how the kind should be
spelled if not using symbols; it is ignored if use-symbols
is yes. The stack-degrees attribute is yes if the degree
elements should be stacked above each other. The
parentheses-degrees attribute is yes if all the degrees
should be in parentheses. The bracket-degrees attribute
is yes if all the degrees should be in a bracket. If not
specified, these values are implementation-specific.
The alignment attributes are for the entire harmony-chord
entity of which this kind element is a part.
-->
<!ELEMENT kind (#PCDATA)>
<!ATTLIST kind
use-symbols %yes-no; #IMPLIED
text CDATA #IMPLIED
stack-degrees %yes-no; #IMPLIED
parentheses-degrees %yes-no; #IMPLIED
bracket-degrees %yes-no; #IMPLIED
%print-style;
%halign;
%valign;
>
<!--
Inversion is a number indicating which inversion is used:
0 for root position, 1 for first inversion, etc.
-->
<!ELEMENT inversion (#PCDATA)>
<!ATTLIST inversion
%print-style;
>
<!--
Bass is used to indicate a bass note in popular music
chord symbols, e.g. G/C. It is generally not used in
functional harmony, as inversion is generally not used
in pop chord symbols. As with root, it is divided into
step and alter elements, similar to pitches. The attributes
for bass-step and bass-alter work the same way as
the corresponding root-step and root-alter attributes.
-->
<!ELEMENT bass (bass-step, bass-alter?)>
<!ELEMENT bass-step (#PCDATA)>
<!ATTLIST bass-step
text CDATA #IMPLIED
%print-style;
>
<!ELEMENT bass-alter (#PCDATA)>
<!ATTLIST bass-alter
%print-object;
%print-style;
location (left | right) #IMPLIED
>
<!--
The degree element is used to add, alter, or subtract
individual notes in the chord. The degree-value element
is a number indicating the degree of the chord (1 for
the root, 3 for third, etc). The degree-alter element
is like the alter element in notes: 1 for sharp, -1 for
flat, etc. The degree-type element can be add, alter, or
subtract. If the degree-type is alter or subtract, the
degree-alter is relative to the degree already in the
chord based on its kind element. If the degree-type is
add, the degree-alter is relative to a dominant chord
(major and perfect intervals except for a minor
seventh). The print-object attribute can be used to
keep the degree from printing separately when it has
already taken into account in the text attribute of
the kind element. The plus-minus attribute is used to
indicate if plus and minus symbols should be used
instead of sharp and flat symbols to display the degree
alteration; it is no by default. The degree-value and
degree-type text attributes specify how the value and
type of the degree should be displayed.
A harmony of kind "other" can be spelled explicitly by
using a series of degree elements together with a root.
-->
<!ELEMENT degree (degree-value, degree-alter, degree-type)>
<!ATTLIST degree
%print-object;
>
<!ELEMENT degree-value (#PCDATA)>
<!ATTLIST degree-value
text CDATA #IMPLIED
%print-style;
>
<!ELEMENT degree-alter (#PCDATA)>
<!ATTLIST degree-alter
%print-style;
plus-minus %yes-no; #IMPLIED
>
<!ELEMENT degree-type (#PCDATA)>
<!ATTLIST degree-type
text CDATA #IMPLIED
%print-style;
>
<!--
The frame element represents a frame or fretboard diagram
used together with a chord symbol. The representation is
based on the NIFF guitar grid with additional information.
The frame-strings and frame-frets elements give the overall
size of the frame in vertical lines (strings) and horizontal
spaces (frets). The first-fret indicates which fret is shown
in the top space of the frame; it is fret 1 if the element
is not present. The optional text attribute indicates how
this is represented in the fret diagram, while the location
attribute indicates whether the text appears to the left or
right of the frame. The frame-note element represents each
note included in the frame. The definitions for string,
fret, and fingering are found in the common.mod file. An
open string will have a fret value of 0, while a muted
string will not be associated with a frame-note element.
-->
<!ELEMENT frame
(frame-strings, frame-frets, first-fret?, frame-note+)>
<!ATTLIST frame
%position;
%color;
%halign;
%valign;
height %tenths; #IMPLIED
width %tenths; #IMPLIED
>
<!ELEMENT frame-strings (#PCDATA)>
<!ELEMENT frame-frets (#PCDATA)>
<!ELEMENT first-fret (#PCDATA)>
<!ATTLIST first-fret
text CDATA #IMPLIED
location %left-right; #IMPLIED
>
<!ELEMENT frame-note (string, fret, fingering?, barre?)>
<!--
The barre element indicates placing a finger over
multiple strings on a single fret. The type is "start"
for the lowest pitched string (e.g., the string with
the highest MusicXML number) and is "stop" for the
highest pitched string.
-->
<!ELEMENT barre EMPTY>
<!ATTLIST barre
type %start-stop; #REQUIRED
%color;
>
<!--
The grouping element is used for musical analysis. When
the element type is "start" or "single", it usually contains
one or more feature elements. The number attribute is used
for distinguishing between overlapping and hierarchical
groupings. The member-of attribute allows for easy
distinguishing of what grouping elements are in what
hierarchy. Feature elements contained within a "stop"
type of grouping may be ignored.
This element is flexible to allow for non-standard analyses.
Future versions of the MusicXML format may add elements
that can represent more standardized categories of analysis
data, allowing for easier data sharing.
-->
<!ELEMENT grouping ((feature)*)>
<!ATTLIST grouping
type %start-stop-single; #REQUIRED
number CDATA "1"
member-of CDATA #IMPLIED
>
<!ELEMENT feature (#PCDATA)>
<!ATTLIST feature
type CDATA #IMPLIED
>
<!--
The print element contains general printing parameters,
including the layout elements defined in the layout.mod
file. The part-name-display and part-abbreviation-display
elements used in the score.mod file may also be used here
to change how a part name or abbreviation is displayed over
the course of a piece. They take effect when the current
measure or a succeeding measure starts a new system.
The new-system and new-page attributes indicate whether
to force a system or page break, or to force the current
music onto the same system or page as the preceding music.
Normally this is the first music data within a measure.
If used in multi-part music, they should be placed in the
same positions within each part, or the results are
undefined. The page-number attribute sets the number of a
new page; it is ignored if new-page is not "yes". Version
2.0 adds a blank-page attribute. This is a positive integer
value that specifies the number of blank pages to insert
before the current measure. It is ignored if new-page is
not "yes". These blank pages have no music, but may have
text or images specified by the credit element. This is
used to allow a combination of pages that are all text,
or all text and images, together with pages of music.
Staff spacing between multiple staves is measured in
tenths of staff lines (e.g. 100 = 10 staff lines). This is
deprecated as of Version 1.1; the staff-layout element
should be used instead. If both are present, the
staff-layout values take priority.
Layout elements in a print statement only apply to the
current page, system, staff, or measure. Music that
follows continues to take the default values from the
layout included in the defaults element.
-->
<!ELEMENT print (page-layout?, system-layout?, staff-layout*,
measure-layout?, measure-numbering?, part-name-display?,
part-abbreviation-display?)>
<!ATTLIST print
staff-spacing %tenths; #IMPLIED
new-system %yes-no; #IMPLIED
new-page %yes-no-number; #IMPLIED
blank-page NMTOKEN #IMPLIED
page-number CDATA #IMPLIED
>
<!--
The measure-numbering element describes how measure
numbers are displayed on this part. Values may be none,
measure, or system. The number attribute from the measure
element is used for printing. Measures with an implicit
attribute set to "yes" never display a measure number,
regardless of the measure-numbering setting.
-->
<!ELEMENT measure-numbering (#PCDATA)>
<!ATTLIST measure-numbering
%print-style;
>
<!--
The sound element contains general playback parameters.
They can stand alone within a part/measure, or be a
component element within a direction.
Tempo is expressed in quarter notes per minute. If 0,
the sound-generating program should prompt the user at the
time of compiling a sound (MIDI) file.
Dynamics (or MIDI velocity) are expressed as a percentage
of the default forte value (90 for MIDI 1.0).
Dacapo indicates to go back to the beginning of the
movement. When used it always has the value "yes".
Segno and dalsegno are used for backwards jumps to a
segno sign; coda and tocoda are used for forward jumps
to a coda sign. If there are multiple jumps, the value
of these parameters can be used to name and distinguish
them. If segno or coda is used, the divisions attribute
can also be used to indicate the number of divisions
per quarter note. Otherwise sound and MIDI generating
programs may have to recompute this.
By default, a dalsegno or dacapo attribute indicates that
the jump should occur the first time through, while a
tocoda attribute indicates the jump should occur the second
time through. The time that jumps occur can be changed by
using the time-only attribute.
Forward-repeat is used when a forward repeat sign is
implied, and usually follows a bar line. When used it
always has the value of "yes".
The fine attribute follows the final note or rest in a
movement with a da capo or dal segno direction. If numeric,
the value represents the actual duration of the final note or
rest, which can be ambiguous in written notation and
different among parts and voices. The value may also be
"yes" to indicate no change to the final duration.
If the sound element applies only one time through a
repeat, the time-only attribute indicates which time
to apply the sound element.
Pizzicato in a sound element effects all following notes.
Yes indicates pizzicato, no indicates arco.
The pan and elevation attributes are deprecated in
Version 2.0. The pan and elevation elements in
the midi-instrument element should be used instead.
The meaning of the pan and elevation attributes is
the same as for the pan and elevation elements. If
both are present, the mid-instrument elements take
priority.
The damper-pedal, soft-pedal, and sostenuto-pedal
attributes effect playback of the three common piano
pedals and their MIDI controller equivalents. The yes
value indicates the pedal is depressed; no indicates
the pedal is released. A numeric value from 0 to 100
may also be used for half pedaling. This value is the
percentage that the pedal is depressed. A value of 0 is
equivalent to no, and a value of 100 is equivalent to yes.
MIDI instruments are changed using the midi-instrument
element defined in the common.mod file.
The offset element is used to indicate that the sound takes
place offset from the current score position. If the sound
element is a child of a direction element, the sound offset
element overrides the direction offset element if both
elements are present. Note that the offset reflects the
intended musical position for the change in sound. It
should not be used to compensate for latency issues in
particular hardware configurations.
-->
<!ELEMENT sound ((midi-instrument*), offset?)>
<!ATTLIST sound
tempo CDATA #IMPLIED
dynamics CDATA #IMPLIED
dacapo %yes-no; #IMPLIED
segno CDATA #IMPLIED
dalsegno CDATA #IMPLIED
coda CDATA #IMPLIED
tocoda CDATA #IMPLIED
divisions CDATA #IMPLIED
forward-repeat %yes-no; #IMPLIED
fine CDATA #IMPLIED
time-only CDATA #IMPLIED
pizzicato %yes-no; #IMPLIED
pan CDATA #IMPLIED
elevation CDATA #IMPLIED
damper-pedal %yes-no-number; #IMPLIED
soft-pedal %yes-no-number; #IMPLIED
sostenuto-pedal %yes-no-number; #IMPLIED
>
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Last updated June 19, 2007.